Woody Harrelson gives a terrific performance in Rampart, a film co-written by James Ellroy.
But how does the rest of the film fare?
Rampartis a cop film co-written by James Ellroy.
If youve read or seen any James Ellroy before, you dont need me to tell you much more.
In fact, it would make this one of the shortest reviews Ill ever do.
Here you go:Rampartis better thanStreet Kings, but not quite as enjoyable asDark Blue.
If youre less acquainted with Ellroy, then stay with me a little longer.
And check outDark Bluelater.
Kurt Russells great in it.
Although I need to add a concession here: Ellroys cinematic output to date isnt quite what it seems.
And the film hes most associated with L.A.
Confidential was adapted from his book without his involvement.
AndRampartadds another worthy entry to the James Ellroy dirty cop genre.
Both those films, and evenL.A.
Confidential, told a tale of redemption in some way.
Their protagonists were men of violence, but in service to a morality that made some kind of sense.
Rampartmay be the most undiluted Ellroy work well ever see on screen.
Is that down to co-writer and director Oren Moverman?
Lets wait a while.
Is there a good man trying to break out of Harrelsons destructive and violent Dave Brown?
Im still not sure, which is what carriesRampartthrough its barely there plot.
Its a character study of a character who refuses to bend to the cinematic norm.
Closer, then, to Nicolas CagesBad Lieutenantthan Russell Crowes Bud White.
Moverman films it closer in style toThe Shield, with documentary-style shaky cameras and static behind-head shots.
AndRamparthas its own fireworks courtesy of Harrelsons incredible performance.
Free of compromise and free of concession.
Ellroy might even like this one himself.
Rating:
3 out of 5
