That Kong: Skull Island post-credits scene was a doozy.
We dig into spoilers for what it means for the new shared monsterverse.
Warning: Here there be monsters… as well as many, manyKong: Skull Islandspoilers too!
Well that escalated quickly, didnt it?
Still, that wasnt the actual ending.
Conrad tosses pencils at the glass as folks on the other side sit in the dark.
However, what should get kaiju and audience fans really excited were the three other monsters.
All of these creatures were from cave paintings discovered by Monarch.
As Houston explains, There are others and they are obviously going to fight.
If you couldnt make out what those silhouettes were, they represented primitive, ancient sketches of:
Rodan.
This big creature is loosely supposed to be a variation of Pteranodon, albeit larger and standing more upright.
He flies, he bites, and hes all around a tough customer.
Mothra is generally depicted as a force for good in Japanese films, first appearing in 1961sMothra.
Shes also a giant moth with peacock markings.
But that parts pretty obvious…
The third creature goes by the name of King Ghidorah.
This dude first appeared in 1964sGhidorah, the Three-Headed Monster.
His history with Godzilla and Mothra is too long and bloody to get into right here.
Suffice to say, they are not friends.
The final drawing suggests a glimpse into the past and perhaps a prophecy for the future.
These creatures exist and they will do battle.
Specifically in 2019sGodzilla: King of Monstersto be exact.
We of course hear Godzillas roar at the end as well.
Godzilla has the size, but Kong has the better American movies (thus far).
Fans of epic CG destruction, we imagine.
