After nearly twenty years, Dr. Jones is back in cinemas.
And how is he liking the fifties, we wonder…?
Sure, theyve been successful some hugely so.
But this is an entirely different trove of treasure.
Its Indiana Jones, and there will be hell to pay if Spielberg has screwed it up.
Not to give anything away, but the plot is a little bit mental.
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And plenty of action there is, too.
Its also endearing to see that most of the cast performed their own stunts even Harrison Ford.
Watching the cast close-up during these moments is always better than gazing at the back of some stunt-mans head.
Its a far better movie for it.
But hes also got the older, wiser cynicism and grumpiness that you might expect of someone that age.
As Indianas sidekick hes generally excellent, bringing a new, paternal dimension to the pairing.
Ray Winstone is also good, adding some action to his CV alongside the countless gangster movies.
John Hurt and Jim Broadbent appear, too, and are great, as usual.
Luckily, her performance is often masked by the stunning and atmospheric surroundings.
Each is produced with aplomb, too, looking as though you could reach out and touch them.
Several scenes also highlight the superb lighting that lends the various sets an extra layer of adventurous atmosphere.
Luckily, his surroundings follow suit.
Its a tidy way to wrap things up, but leaves you especially aching for more.
Blanchett and the rushed ending arent huge issues, though, in the face of a true summer blockbuster.
And after all, its a hell of a lot better thanSex and the City.
